A Secret Weapon For Aurora Venturini
Wiki Article
Me gustó mucho. Es super equivalent a Las primas y a la vez tiene vibras re distintas. Me llamó mucho la atención del uso y mención de Alejandra Pizarnik como recurso narrativo y el hecho de que dentro del mismo menciona a Las primas como libro, el haber aludido a la existencia de un público de esa manera.
O poéticas, donde lo que importa es la forma de percibir el mundo del protagonista. La que nos legó Venturini es del segundo tipo. “Las Primas
“Cousins is really a novel which makes you giggle out loud with its provocations and unforeseen choices. Bodies are pushed for the limit in producing that gushes forth like blood.
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Dentro un manojo de hojas tipeadas en máquina de escribir con tachaduras, correcciones y espacios en blanco que parecían adrede para llegar al mínimo pedido de one hundred hojas. Así aparece narrado ese momento en Esta no soy yo.
, broadly considered to be Venturini’s masterpiece, is the story of four Ladies from an impoverished, dysfunctional loved ones in La Plata, Argentina, that are forced to undergo via a number of ordeals, including illegal abortions, miscarriages, sexual abuse, disfigurement, and murder, narrated by a daughter whose success to be a painter features her an opportunity to accomplish financial independence and enable her family members as very best as she can.
“Ladies tend to be the fiery nucleus of Cousins, a hellishly tender and hilariously twisted Little Women. Venturini seems to caress the monstrosity of her invention similar to a dearly freakish pet, Which intimacy shines in the darkness of her writing, so filled with candor and brilliance, similar to a creature of obsidian gentle.”
Una novela desmesurada y rabiosa en la que Venturini revive tanto su juventud Aurora Venturini como la decadencia física de la vejez, pasando por su primer amor frustrado. Autobiografía y supervivencia se entrecruzan, otra vez, como contraseña personal del universo literario de esta extraordinaria escritora.
Es un delirio que no admite diagnóstico. Y ese delirio es la clave de su escritura, que a la vez es su vida. No hay una cosa sin la otra.
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Her closest ally is her cousin Petra, an indomitable sex employee with dwarfism who turns murderer to avenge her sister Carina, who dies following a backstreet abortion.
“Ladies are the fiery nucleus of Cousins, a hellishly tender and hilariously twisted Little Females. Venturini seems to caress the monstrosity of her creation just like a dearly freakish pet, and that intimacy shines throughout the darkness of her producing, so stuffed with candor and brilliance, similar to a creature of obsidian light.”
Un hombre de unos 70 años que claramente se había puesto su mejor traje y una corbata para asistir a esta ceremonia. No estaba acostumbrado a dar conferencias, así que fue directo al punto.
"The English-language debut of your Argentine powerhouse is rapid, entertaining, and dim. It follows a loved ones that is down on their own luck just outside of Buenos Aires. As down and out as it may possibly experience at times, Venturini delivers the slapstick as rapid and often as she can." —Adam Vitcavage, Debutiful